The Art of Merchandise Planning

In the dynamic world of music, merchandise has emerged as a significant revenue stream, extending beyond the realm of concert memorabilia to embody a strategic business venture that demands meticulous planning and foresight. Traditionally managed by an artist's team, the process involves selecting unisex “blanks” for tees, hoodies, and hats in the colors, sizes and qualities desired. These blanks are then typically printed with graphic designs that resonate with the artist's logo and current album artwork. These items are usually produced in an initial order and stored for distribution in a warehouse or storage unit, to various venues, either as part of the tour logistics or through third-party shipping agents. Sometimes artists will even carry merchandise with them in an empty suitcase, hoping to save costs. The goal is to ensure a steady flow of merchandise which can be replenished as inventory dwindles. Throughout the tour costs are tracked to gauge merch sales profitability.

Despite the critical role of merchandise in an artist's revenue, the management of associated costs—ranging from production to shipping—is often reactive, addressed as expenses arise. This piecemeal handling lacks integration into a cohesive sell-through strategy that would consider every retail opportunity, including concert venues and online sales, within a predefined financial framework. A comprehensive strategy encompasses sales goals and profit margins, based on projections of venue attendance and online demand, to inform decisions on inventory levels, warehousing, and distribution. Such a strategy not only optimizes initial and replenishment orders but also addresses logistical challenges, potentially enhancing profitability through careful planning of production volumes and shipping methods.

A pivotal challenge in merchandise management is cash flow, particularly the upfront costs associated with design and production, which precede tour revenue. This financial strain of upfront costs and lack of budgets may compel artists to limit their initial product range or make compromises on logistics, such as opting for less efficient shipping methods. However, these decisions, made in the absence of a thorough plan, can escalate costs and reduce control over inventory, risking lost sales due to stock-outs of popular sizes or items at subsequent venues. In other words, trading costs up front for later, can ultimately increase expenditures and decrease profitability in the long run. Finding a merchandise partner who can share these risks, or flatten costs throughout a tour, can help mitigate these up front costs that force shortsighted decisions.

The evolving retail landscape demands a sell-through strategy that bridges onsite and online sales, leveraging customer preferences for shopping across channels. By ensuring adequate inventory levels online and considering partnerships with local retailers or exclusive event-based offerings, artists can enhance customer engagement and sales opportunities. Such forward-looking planning enables the distribution of risk and maximizes retail operation efficiency, fostering a deeper connection with fans through unique shopping experiences and product offerings. A partner who has a built-in network with a wide range of global retail partners, as well as the ability to facilitate pop-up activations and employ retail technologies to sell products digitally, can be crucial in ensuring sales goals are met.

Moreover, the pricing strategy within the merchandise business often overlooks the diversity of fan demographics and purchasing power. A successful plan recognizes the need for a varied product assortment that caters to different market segments, allowing for pricing flexibility that can maximize profits across different venues and events. This approach acknowledges the nuanced preferences of fans, ensuring the availability of the right products at the right time and place. A partner that understands the importance of deep market research and competitive analysis can illuminate key opportunities for artists that may otherwise go unnoticed.

Ultimately, developing a robust sell-through strategy is paramount for artists seeking to elevate their merchandise from mere tour accessories to a significant business and profit center. In an era where streaming revenues fall short of artist expectations, a well-managed merchandise business becomes particularly important. By embracing a comprehensive approach that spans production, distribution, and retailing, artists can unlock new revenue streams, ensuring their merchandise venture contributes substantially to their overall success. This transformation from spontaneous sales efforts to a strategically managed business is not just about selling products; it's about building a sustainable revenue model that enriches the artist-fan relationship and secures the artist's financial future in the ever-evolving music industry. In today's competitive market, finding a partner who grasps both the nuances of creating standout merch and the importance of integrating it into an effective sell-through strategy, to the right audience, is crucial. Many merch companies only focus on production, minimizing their participation in the process or outcome once the merchandise reaches the artist. This limited involvement overlooks crucial opportunities to engage fans and drive sales, highlighting the importance of a partner committed to the entire process.

Joshua T Williams

Joshua Williams is an award-winning creative director, writer and educator.  He has lectured and consulted worldwide, specializing in omni-channel retail and fashion branding, most recently at ISEM (Spain) and EAFIT (Colombia), and for brands such as Miguelina, JM, Andrew Marc and Anne Valerie Hash.  He is a full time professor and former fashion department chair at Berkeley College and teaches regularly at FIT, LIM and The New School.  He has developed curriculum and programming, including the fashion design program for Bergen Community College, that connects fashion business, design, media and technology.  His work has been seen in major fashion magazines and on the New York City stage. Joshua is a graduate of FIT’s Global Fashion Management (MPS) program, and has been the director and host of the Faces & Places in Fashion lecture series at FIT since 2010.

http://www.joshuatwilliams.com
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Merch vs. Fashion